Storytelling IV: Series & Formats
Episodic design, format development, repeatability. Building a show, not just videos.
- Lectures
- 7
- Total runtime
- 5h 49m
- Attendance minimum
- 2h 55m
- Prerequisites
- NAR-301 Storytelling III: Visual Storytelling
Lecture Playlist
Ordered as a teaching progression, not by popularity. Attendance is recorded once half of a lecture has been watched.
- Class 1: Introduction | MIT 21L.432 Understanding Television, Spring 2008 Series storytelling as its own art form, continuous with older popular narrative traditions 66 min Attended
- Class 3: Television As A Cultural Form | MIT 21L.432 Understanding Television, Fall 2001 The series as a cultural form: flow, domestic habit, and the rhythm of return 45 min Attended
- How Does Serial Fiction Work? The serial audience: what the gap between installments does to viewers 4 min Attended
- Class 10: TV Genres | MIT 21L.432 Understanding Television, Fall 2001 Format as a repeatable engine: genre, formula, and meaningful variation 47 min Attended
- The Wire Conference Panel 2: Seriality and Narrative Experience Advanced seriality: long arcs, audience memory, and narrative complexity 92 min Attended
- TV Writers Panel Running a show: the writers' room, breaking story, sustaining a format across a season 86 min Attended
- Practicum · working creator How Ryan Trahan's $0.01 Series Broke YouTube (Forever) A working format strategist tears down a daily serialized series, showing Lecture 3's gap between instalments and Lecture 4's formula-and-variation engine operating on a real channel 9 min Attended
Every course reserves one practicum seat, listed last and marked P. It is filled by someone who has shipped the work — here, Paddy Galloway — because the university lectures establish why something works and the practicum shows it being done under real constraints.