Reels Editing & Trend Craft
Advanced mobile editing, trend adaptation vs. originality, sound selection, posting cadence.
- Lectures
- 8
- Total runtime
- 4h 26m
- Attendance minimum
- 2h 13m
- Prerequisites
- PRO-202 Editing II: Rhythm & Emotion
Lecture Playlist
Ordered as a teaching progression, not by popularity. Attendance is recorded once half of a lecture has been watched.
- The Hidden Forces that Shape Behavior Why things catch on: the invisible social forces that make people copy — and diverge 13 min Attended
- CAM Colloquium - Duncan Watts: Contagion on social networks (Part 1) How trends actually spread — and why chasing virality is a fragile strategy 33 min Attended
- The surprising habits of original thinkers | Adam Grant | TED Trend adaptation versus originality: how original work is actually produced 15 min Attended
- How Christopher Nolan Elevates the Movie Montage Where meaning comes from in editing: building a montage that states something 9 min Attended
- The 3 Essential Elements of Suspense Explained — How Fincher, Carpenter and Refn Create Suspense Holding attention across a whole clip: controlling what the viewer knows, and when 17 min Attended
- How Music Moves Us: Exploring the Connection Between Music and Emotions Sound selection: why a piece of music changes how everything above it feels 107 min Attended
- Meet Wendy Wood, Author of Good Habits, Bad Habits Posting cadence as habit engineering, for the creator and the audience 55 min Attended
- Practicum · working creator How to Create Irresistible Hooks (and blow up your content) A working short-form creator walks through how he builds the opening of a vertical video, applying Lecture 5's suspense mechanic (controlling what the viewer knows and when) at the scale of a Reel's first seconds 17 min Attended
Every course reserves one practicum seat, listed last and marked P. It is filled by someone who has shipped the work — here, Kallaway — because the university lectures establish why something works and the practicum shows it being done under real constraints.