Content Creation University
Auditing
MST-601 Master's core Year Six Master's

Advanced Storytelling: Documentary & Essay Craft

Research, argument, structure, and ethics of nonfiction storytelling at the highest level.

Lectures
7
Total runtime
5h 53m
Attendance minimum
2h 57m
Prerequisites
B.CC — Years One to Five

Lecture Playlist

Ordered as a teaching progression, not by popularity. Attendance is recorded once half of a lecture has been watched.

  1. Pulitzer winner Ken Armstrong on the importance of storytelling in investigative journalism Reporting as the raw material — why narrative is what makes investigative work land, and choosing a form that fits the evidence Nieman Foundation for Journalism at Harvard 1 Ivy League 46 min
  2. A Conversation with Katherine Boo Immersion research and the ethics of writing about other people's lives Columbia Journalism School 1 Ivy League 86 min
  3. Danyel Smith on developing taste as a writer and building confidence to tell your own story The essay register — memoir fused with criticism, and earning the first person Nieman Foundation for Journalism at Harvard 1 Ivy League 62 min
  4. Soledad O'Brien on character-driven storytelling in documentaries, and the power of being a witness Structure — carrying a large issue on one character's shoulders Nieman Foundation for Journalism at Harvard 1 Ivy League 54 min
  5. "The Unknown Known": A Film on Donald Rumsfeld by Errol Morris | Mahindra Humanities Center The interview as investigation — self-justification, evasion, and why a camera does not deliver truth by itself Harvard University 1 Ivy League 61 min
  6. Ken Burns on truth, citizenship, and the stories America tells Capstone: the selection problem — which stories are allowed to stand in for the whole Harvard Kennedy School 1 Ivy League 23 min
  7. Practicum · working creator 7 things I've learned about journalism in 7 years of being a journalist A working video journalist's seven-year retrospective: putting Lecture 1's "narrative is what carries the reporting" and Lecture 5's "documentary is an argument, not a recording" into practice on a self-published channel, including where he got it wrong Johnny Harris P Practitioner 21 min

Every course reserves one practicum seat, listed last and marked P. It is filled by someone who has shipped the work — here, Johnny Harris — because the university lectures establish why something works and the practicum shows it being done under real constraints.

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