Music, Sound Design & Licensing
Scoring content, sound as emotion, navigating music licensing safely.
- Lectures
- 7
- Total runtime
- 4h 3m
- Attendance minimum
- 2h 2m
- Prerequisites
- None
Lecture Playlist
Ordered as a teaching progression, not by popularity. Attendance is recorded once half of a lecture has been watched.
- Lecture 7. Harmony: Chords and How to Build Them (MUSI 112) The mechanics of musical emotion: how chords create tension and release 50 min Attended
- 16. Music (MIT 9.13 The Human Brain) Why music moves people at all: the brain's dedicated machinery for it 72 min Attended
- Score - Film Music (Carsey-Wolf Center, UC Santa Barbara) Music against picture: what a score is actually doing for a scene 36 min Attended
- CopyrightX: Lecture 8.2, The Right to Distribute, Perform, & Display: Performances The right that governs playing music to an audience — including online 35 min Attended
- CopyrightX: Lecture 8.3, Distribution & Performance Rights: Exceptions & Limitations Where the rights stop: first sale, statutory exemptions, and compulsory licences 19 min Attended
- Options for Using Music in Your Videos The safe paths in practice: Audio Library, Creator Music, and the misconceptions that get creators claimed 6 min Attended
- Practicum · working creator 4 COMPOSERS SCORE THE SAME SCENE ft. Tennyson, Alex Moukala, Homay Schmitz Lecture 3's claim that a score decides what a scene means, tested directly: four working composers are handed the same picture and each scores it differently, explaining the harmonic and textural choices Lecture 1 gave names to 25 min Attended
Every course reserves one practicum seat, listed last and marked P. It is filled by someone who has shipped the work — here, ANDREW HUANG — because the university lectures establish why something works and the practicum shows it being done under real constraints.